b. 1997​

I am drawn to the spaces between remembering and forgetting.

Working primarily through photography, alongside printmaking, collage, drawing, and sculpture, I collect fragments of the everyday—quiet details, overlooked objects, passing moments that might otherwise disappear unnoticed. These small encounters become starting points for an exploration of memory, dreams, and the subtle connections that weave themselves through daily life.

My practice is informed by alternative photographic processes including caffenol, lith printing, cyanotypes, and traditional darkroom techniques. I am attracted to the unpredictability of these methods, the way images emerge slowly and imperfectly, carrying traces of time, touch, and transformation.

Much of my work begins with a feeling rather than a narrative. I return to childhood memories, recurring dreams, and the persistent hum of thoughts that linger beneath the surface of consciousness. I am interested in repetition, coincidence, and the quiet echoes that appear between places, objects, and experiences. These connections often reveal themselves gradually, like something half remembered.

Through making, I try to unfold memory and examine its texture. The work is less concerned with recording what was seen than with evoking what was felt. I want my images and objects to inhabit the uncertain territory of dreams—soft at the edges, layered, shifting, and incomplete.

Ultimately, I am searching for ways to make visible the things that often go unnoticed: the fleeting, the familiar, and the fragments that remain long after the moment has passed.